“Why not?” she continued, with a flash of defiance, though Madge had not spoken. “It is a weapon like any other—knowledge, intellect, courage. God has given me beauty. I shall use it in His service.” It made her mad, the look of delight that came into his eyes. She could have boxed his ears. Hadn’t he anything else to do but hang about the streets.!

A robin broke into a song of triumph. He had seen the sad-faced ghosts steal silently away. “Rather late in the day for you to worry yourself about that, isn’t it?” he answered with a smile.

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. Joan was puzzled what to say. She knew exactly what she ought to say: what she would have said to any ordinary child. But to say it to this uncannily knowing little creature did not promise much good. “It ought to be included in every woman’s education,” Madge continued. “It is reserved for spinsters of over forty-five. Susan Fleming wrote an article upon it for the Teacher’s Friend; and spent an afternoon and evening there. A month later she married a grocer with five children. The only sound suggestion for avoiding trouble that I ever came across was in a burlesque of the Blue Bird. You remember the scene where the spirits of the children are waiting to go down to earth and be made into babies? Someone had stuck up a notice at the entrance to the gangway: ‘Don’t get born. It only means worry.’”